I’ve now seen Penny Woolcock and British Sea Power‘s astonishing documentary, From The Sea To The Land Beyond, about ten times, including a live screening at Glasgow Film Festival last year. It’s an astonishing work—a feature length film comprising entirely of archive footage and BSP’s score, by turns haunting and playful. The footage was lifted entirely from the BFI archives, and tells nothing less than the social history of Britain through our relationship with the sea. It’s extraordinary: through the flickering windows of hundred-year old reels, the film explores Britain’s food, wars, suffrage, leisure, the rise of the middle class, industrial action, economic boom and bust, immigration, capitalism and more.
Ever since watching From The Sea To The Land Beyond, I’ve wanted to work with some archive footage. I used a little of it in my hay meadows documentary To The End We Will Go, but when I recently happened upon some fascinating public domain material, I decided to cut something entirely from archive. And here, then, is something of a music video; taken from my friend Dan Haywood‘s wonderful album Dapple, I’ve cut together footage of USAAF atomic bomb tests and the seminal agricultural documentary The Plow That Broke The Plains, all soundtracked by Dan’s glorious song I’ve Got Heaven At My Door.
It’s not the most complex thing in the world, but then again, I have very little time right now—I’ll write more about that in my next post—I threw this together over a couple of lunchtimes at college. For now, here’s the video, and I’ll get back to my novel.