The Talking Skull

A quick storytelling post on the back of another Verbalise at the Brewery Arts Centre. The slots are 4 minutes, and I’d struggled to find a piece I liked that fit that time frame – despite having loads at 1-2 minutes and several at 5-6 minutes. Eventually I settled on The Talking Skull; originally from Cameroon, I think, and a story I’d known for a long time before I started telling any myself – and one I heard completely reinvented by Nick Hennessey when I was on the storytelling course.

While keeping the structure the same, Nick moved the action to the gibbets and heaths of old England, bookending it with singing and drums and a clutch of corbies. I’m nowhere near drumming and I’ll never be a singer, but his translocation of the story was so deft and absolutely something to learn from. I shifted mine to the mosses of south Lakeland and used a Baron of Kendal for the villain. It’s a fantastic wee piece and I loved telling it – and I loved exploring how the bones of a story can hang with different skins. That’s something to remember.

My son drew the backdrop for the projector – much obliged that lad – and many thanks to Ann The Poet for the photo.

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One response to “The Talking Skull”

  1. […] it was right at the top of my list of pieces to learn. It’s much longer than Gobbleknoll or The Talking Skull, about 20 minutes or so, and I’ve been working my way up to it by way of shorter […]

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