Under the hammer

A year at least, I think, since I posted anything; it’s been a time of change. In Easter 2023 I made the monumental decision to leave Kendal College, where I taught the Film Production course for 12 years. While I always loved teaching the students, the job itself changed radically in that decade, and honestly I was becoming unwell. Leaving was an exceptionally difficult decision… but also the right one. I’m a different person for stepping away. I didn’t realise at the time how heavy a thing it was to carry.

So what next? I’ve left to pursue freelance editing and to carve out time to write. I haven’t exactly stopped writing, but I’ve written far more screenplays than prose, and when I sit down with my novel it’s increasingly hard to pull the right words together. That’s a part of myself I want back, and I understand it needs work. My novel has been stalled at 30,000 words for over a year while other projects called me away; last week I sat down and wrote 500 words on it. That felt good. I want more of that feeling. Writing is a muscle: use it or lose it.

What else? I’ve finally released The Potter’s Field. There’s a lot I’d do differently if I was starting again, and overall the process confirmed I’m more of a writer and editor than a director – but I’m also exceptionally proud of what we pulled together on a shoestring. Particular shouts for Jenny Ann McKay and Marie Rabe, my sensational lead actors. They had incredible chemistry from the very first rehearsal, and it was all I could do to get out of their way. I’m proud to share The Potter’s Field:

I’m also thrilled to announce the release of Maggie, a short horror I wrote for the talented James Kennedy. James has done a phenomenal job with my script, and the performances by Shaun Scott (he of Moon Knight, The Bill) and Lukwesa Mwamba (she of Carnival Row, Doctors) are so good. The film won awards all over the world and has now been picked up by horror channel Alter, where it was seen by 50,000 people in the first two weeks – very humbling. I’m now working on a feature film based around the same characters. I’m not naturally drawn to horror, and I don’t mind admitting that plunging back into this world has given me a few sleepless nights…

I also wrote, co-produced and edited this promotional piece for Impact International. It was a challenging brief and I’m really pleased with how it turned out:

My other work of note was cutting 1h30m of drama scenes for the Royal Conservatoire of Scotland. I put myself through a mangle to get the first cut delivered inside a week; a few months later, as I was teaching myself some new software, I went back to recut my favourite scene, Hand To God. Brilliant acting – mind the language though…

There have been some other commercial edits, and a little copyediting work – but the big news is that I’ve done some editing for the iconic BBC property show Homes Under The Hammer. It’s been an absolute blast cutting Homes – I’ve loved every moment. Back for another shift just before Christmas.

To tie all this together, I set up a website as a portfolio for my editing – if you’re interested in my other work, mosey over to SimonSylvesterEditor.com for loads more films.

Now what? I’ve just finished a short doc called Red Needle that I can’t share till the new year; that’s some of the best work I’ve done, I think. I’m redrafting my feature script for Maggie – after a couple of months away and some good feedback, I can see that I need to cut some characters and some locations, to condense and combine and simplify. The core of the story is good, but I’ve added too much around it. I sometimes think that screenwriting is as much about the things you don’t write as the things you do.

There’s more to say – I’ve rediscovered a childhood hobby, I’ve been to France, I’ve started swimming in the Lakes – but I’ll keep the powder dry on that lot. I’d like to get back to blogging more often – use it or lose it, right? …and so I’ll leave myself some things to talk about.

When The Haar Rolls In

Strange days for us all. It’s hard to know what to say. The inhuman incompetence of the government, and then the superhuman efforts of the NHS. The selfishness of stockpiling and the smiles of strangers. Desperate for downtime but craving productivity. Loving the days with my children, even as we drive each other crackers. The air feels cleaner, the water cleaner — the planet breathing properly, right down into the dirt and the stones. I haven’t seen a plane for days.

Mon’s growing vegetables and baking the best bread I’ve ever tasted. We made a little greenhouse out of pallet wood and old windows. All the jobs that stacked up over the year we’ve lived here, finally put to bed. Chopping up the woodpile. Building the shelves. Hanging the gate. Moving the beech hedge. Fixing the bench. Our world returned to the work of hands: hammers and nails, sowing seeds. These things sing because they are true.

The first few weeks of lockdown brought a wave of creative energy. I wrote three short films in four weeks. That surge has gone now — I started blocking out a feature film, but found it impossible to concentrate on bigger ideas, and now the wave has washed back to wherever they come from. I’m trying to write my way back into it, figuring that short scripts are better than no scripts, and I’ve been applying for a few things — bursaries, courses, development labs. The world of film, like everything else, will change, but I need to feel like I’m doing something — I hadn’t realised how bad I am at doing nothing.

It’s coming to an end now. Too soon, certainly, but the gravity of life will pull us on.

A brood of sparrows has fledged nearby. They’re outside the window right now, five or maybe six of them, skittering all over the place, alive with restless curiosity. Exploring their new world. With every stuttering flight across the garden, they get stronger.

When the haar rolls in, it’s just a question of waiting it out…

The world will be there afterwards, but it will not be the same.

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Daylight

I’m trying to be more honest about my mental health, and wanted to say, despite some bits of good news, that I’ve not been feeling great lately. My job is getting me down and I’ve had a chest infection for weeks and weeks. I’m sick of being sick and sick of moaning about it. Some years the winters lay me low. Need a drink of daylight. I’ve been thinking a lot about Scott Hutchison, about the worth of work, about the world, about time, about all those tiny changes, each and every day. Doing what we can, I suppose, and trying to do that little bit of living along the way.

The Pitch

Posting with the happy news that I’ve been extremely lucky in the competition I mentioned here — somehow my film idea has trickled all the way through the longlist onto the shortlist, and is now one of ten finalists. The next stage is a residential masterclass — three days of workshops and training with industry professionals, all pointed towards the final in January. I’m both thrilled and humbled to have made it this far, not least as this is the first film competition I’ve entered. Talk about luck!

The main reason for entering the contest was to make myself share some film ideas in public — it was a line I had to cross at some point, and this was a good way to make it happen. I feel extraordinarily fortunate to get this far, and grateful for the training opportunities it brings. The goal was always to work with other professionals and build my skills as best I can. For a while, at least, this is the way I’m going, and little triumphs like this feel like milestones — yes lad, this is the way.