Strange days for us all. It’s hard to know what to say. The inhuman incompetence of the government, and then the superhuman efforts of the NHS. The selfishness of stockpiling and the smiles of strangers. Desperate for downtime but craving productivity. Loving the days with my children, even as we drive each other crackers. The air feels cleaner, the water cleaner — the planet breathing properly, right down into the dirt and the stones. I haven’t seen a plane for days.
Mon’s growing vegetables and baking the best bread I’ve ever tasted. We made a little greenhouse out of pallet wood and old windows. All the jobs that stacked up over the year we’ve lived here, finally put to bed. Chopping up the woodpile. Building the shelves. Hanging the gate. Moving the beech hedge. Fixing the bench. Our world returned to the work of hands: hammers and nails, sowing seeds. These things sing because they are true.
The first few weeks of lockdown brought a wave of creative energy. I wrote three short films in four weeks. That surge has gone now — I started blocking out a feature film, but found it impossible to concentrate on bigger ideas, and now the wave has washed back to wherever they come from. I’m trying to write my way back into it, figuring that short scripts are better than no scripts, and I’ve been applying for a few things — bursaries, courses, development labs. The world of film, like everything else, will change, but I need to feel like I’m doing something — I hadn’t realised how bad I am at doing nothing.
It’s coming to an end now. Too soon, certainly, but the gravity of life will pull us on.
A brood of sparrows has fledged nearby. They’re outside the window right now, five or maybe six of them, skittering all over the place, alive with restless curiosity. Exploring their new world. With every stuttering flight across the garden, they get stronger.
The world will be there afterwards, but it will not be the same.