Continuing the Beirut kick – here’s a full live concert recorded at Ancienne Belgique in 2011. Sumptuous stuff. Crank open another tab and go about your business with this playing in the background – it’s exquisite.
Tag: video
Beirut – ‘Elephant Gun’
This is one of my favourite songs. I’ve been sharing it a lot lately, but I wanted to pop it on the blog as well. Passionate, decadent, shambolic, elegant, glorious and unashamed. It makes me want to take my wife and my daughter round Europe and drink pastis in cafes.
Kicking monsters down the hall
Improving my spoken word performance is an ongoing mission. There’s no substitute for actually reading live, and I have my first two events of the year booked in for February. First up is a support slot at Dreamfired on Valentine’s Day, and then I’m top of the bill (eek!) for Verbalise at the end of the month.
As well as actual readings, I’ve started looking for workshops. I attended a great Spotlight session in Lancaster with Brindley Hallam Dennis last year. He set the class the truly startling task of having other people read our work. My workshop partner went through my flash piece Marrow at a third of the pace I usually do, really savouring the words, and she made it three times better. That was an important lesson. I’ve also taken a huge amount from veteran performer David Hartley’s tips for spoken word.
I watch a lot of readings, both live and online, to see how other writers project and present their words. I’ve seen some great stuff, and some terrible stuff. This performance by Shane Koyczan is absolutely, completely, one of the very best. I’ve listened to it a dozen times, and it grows ever more wonderful.
Foxes
“A young couple trapped in a remote estate of empty houses and shrieking foxes are beckoned from their isolation into a twilight world…”
This is a haunting, excruciatingly tense short film, worth every frame of its fifteen minutes. Metamorphosis and the idea of threshold places – of things having twin natures, existing in two states at once – are becoming increasingly key to my work. A film like this gets my pulse racing and synapses snapping, hungry to write.
Případ – The Case
I’m not sure I totally get this, but I’m not sure I totally need to. This is a magnificent, monochrome splash of neo-noir animation from the Czech Republic. Enjoy.
The Lord Is Out Of Control
Here’s the brilliantly trippy video for new Mogwai song ‘The Lord Is Out Of Control’. Along with British Sea Power, Mogwai are one of the most consistently thrilling bands I know. I’ve blogged before about listening to these two bands for my writing music; they take me to the right place. This video is almost a glimpse of what that place sometimes looks like.
Seven Seals – Plan of Salvation
As well as teaching film, I make the occasional video, too. This is a music promo for local legends (and one of my favourite bands) Seven Seals. I’m slightly ashamed to say it’s taken me 18 months to finish, but then again, I have a child to take care of. And a redraft. The picture below is a screenshot of my final edit. You don’t know need to know how it works to recognise that it’s been tricky. But for all the work, I’ve enjoyed it. The song is taken from an amazing E.P. called As Above So Below, which you can (and should) buy on iTunes or Amazon. The first Seven Seals album, Owl Cage, is free to download here.
Filmmaking has had a massive impact on my writing. Where I used to strive for an internalised immersion, revealing narrative through stream-of-consciousness, my experiences in making and teaching film have helped me understand the simplicity – and power – of visual storytelling. Thinking of a novel like a movie helps a lot; in structure, in geography, in character, in description, in delivery.
Speaking of which – back to the writing. This novel won’t redraft itself. Unfortunately.
Keys
I’ve just been paid for a big film job I completed earlier in the year, and I decided to treat myself. It’s not exactly special, but I’ve invested in a new keyboard. Here’s why:
I work on a Mac, which is the only sensible choice for my video editing. The Mac came with a wireless keyboard and magic mouse. Now, the mouse is superb. No complaints. It’s a dream to use, and I don’t begrudge it batteries. And in isolation, the feel of the keyboard is ideal – the keys are low and responsive, and for a clumsy typist like me (for the most part, I’m a four-finger thug) there’s nothing to trip over. As a result, it helps me type quickly and efficiently.
BUT… it’s too damn short. Look at it against the new one. It’s smaller than my last laptop keyboard. Where are the number keys?

I fact, I don’t care about the number keys. But why are the cursor keys packed together like urchins in a bus stop? My hands are big and I type too fast, so I constantly hit Shift when I’m pitching at Up. And where are the Home/End travel keys? And where’s the Delete key? I miss all of that, and I want it back. Pus I resent dripfeeding batteries into it every two months. Plus it gives me RSI in my right hand little finger, which hangs useless and suspended while my middle and forefingers hammer out der stories. I don’t know why, but the pain goes away with a bigger keyboard. A wired mouse is a pain in the ass, but when I work glued to a screen, a wired keyboard makes no difference whatsoever to my workflow, either for editing or writing.
So there you have it: time for a new, full-size, slimline, wired keyboard. Happy days. If you write a lot, then it’s important to be comfortable in the tools of your trade; over the last few years, I’ve used keyboards that I cursed every time I touched them. Or thought about them. Keyboards with stuck or missing letters. A keyboard where the space bar only worked if it was smashed on the left. A keyboard with a dodgy USB cable, leading to entire lost paragraphs when the thing came loose; though maybe this is my fault for staring at the keyboard, rather than the screen. I wore through the keyboard on my old laptop to the point that my most frequent letters ceased to function. I’ve written on typewriters before, too. I love the clunk-thwack-bang of a solid metal typewriter, but all romance aside, those things are completely unsuited to the way I work: constantly revising, deleting, reshuffling, backtracking, jumping ahead, cutting and pasting and stitching it together. I use Cmd+S, X, C and V more often than full stops. And I often work out of sequence, too; a necessarily chronological workflow would drive me distracted.
Speaking of which – I’m currently giving the free trial of Scrivener a run, on the advice of novelist pals Ali Shaw and Iain Maloney. For the most part, I’m extremely impressed at how it helps me organise my work – but I’ll write more on this another time.
For now – a pox on miniaturisation!

Postscript: my friend Tom has just alerted me to this. Oh, my.
“I got a shotgun…”
As well as writing and teaching, I sometimes make films, and I sometimes contribute to other people’s films. This music video for NW alt.country rockers Lumberjack Cowboy Heartbreak Trucking Co is the work of very talented Tom LLoyd of Dreamtime Film. Tom asked me along to help as a second cameraman on one day of the four-day shoot. As you can probably guess from the video, we had a blast.
Brindley Hallam Dennis reads Turkey Cock
Check out this wicked, vicious little story from Brindley Hallam Dennis. It’s a great reminder that stories are for speaking and listening, as well as reading and writing. I’m keen to start committing more of my work to film; I have the equipment and the stories, but I seldom have the time.
On another note, this clip makes me want to track down more of BHD’s work. It’s a perfect short story – snappy, sharp and engrossing, with a perfect pay-off.

