Will Wordsworth’s Lancrigg DIY

I’m not big on classic literature. I usually find the language – whether in prose or verse – too staid. There are exceptions – I love Shakespeare, I love Bronte’s Villette – but for the most part, my interest in writing starts with the First World War poets, and steps up a notch during the 1960s and beyond – decidedly modern literature, really. I’m always slightly embarrassed I haven’t read more of the classics, but those I’ve persevered with – and I have tried, believe me – simply don’t do anything for me: reading Middlemarch was like pulling teeth.

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With that confession out of the way, here’s the Lancrigg Hotel. It’s a great vegetarian hotel and restaurant, half a mile outside of Grasmere in the Lake District. Monica and I went to stay a night to celebrate our five-year anniversary. While walking in the grounds, we discovered that William Wordsworth had been instrumental in renovating the house for a friend of his – that he’d often dined and slept there – and so had Charles Dickens, a generation later. Robert Burns stayed at the house and taught one of the subsequent owners, too. I can’t pretend the place felt haunted by the ghosts of these literary giants, but I liked the idea of Bill Wordsworth rolling up his sleeves to strip out rotten plaster, of Dickens playing pranks on his pals, and of Rabbie Burns warming his feet by the fire. That tickled me.

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The woods around Lancrigg feel quiet and ancient. Sprouting from cracks in the limestone and carpeted in deep green moss, the trees could be Tolkein’s ents, hibernating through the decades. There’s a profound, tangible stillness beneath the canopy, and the light is filtered dark and green, drawing you into the forest.

After tea, we walked into town for a drink. I’ve had my differences with Grasmere in the past – during the summer, it’s infested with tourists, most of whom wear very expensive, very clean walking gear – but the town was fairly quiet. The heat of the day, freshened by a late shower, left the meadows heady with scent. The smells were intoxicating – the Lakes felt almost Mediterranean. We stood beside Wordsworth’s grave and watched bats skitter above the river, and walked back to Lancrigg in a deep blue midsummer gloaming. It was a long overdue break after months of hard work.

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Teaching has finished for the summer, though I still have a fortnight of marking and admin to finish. Then there’s a fence to build, some films to edit, a holiday to go on (glory be) and what should be the final draft of Riptide. Around all this, I’d really like to start work on writing my next novel. I’m already reading and researching and starting to block out the plot; the issue, as ever, is time to write.

Stephen King on writing

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I like this. I like this very much. Here’s an assembly of 20 quotes about writing from horror maestro Stephen King. I like the way he blends a wonder at the world with the coal face, roll your sleeves up, nuts and bolts of writing.

I read most of King’s work when I was 13 or 14, taking them three at a time from the mobile library that did the rounds outside Inverness. Cujo, Carrie, It and The Stand have all stuck in my mind; I recently found a copy of The Stand in a charity shop, and I’m looking forward to rereading it this summer. I’m not sure I could handle another bout of It.

Swamp Thing indahouse

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Friends Iona and Ali Shaw stayed with us this week. Ali and I studied English at Lancaster University, many moons ago, long before I started writing and when Ali was already laying the groundwork for his career. He’s a brilliant author, with novels The Girl With Glass Feet and The Man Who Rained winning awards and translations all over the place. I was privileged enough to read an early draft of Glass Feet, and Ali kindly took the time to read through my first draft of Riptide. His subsequent advice, notes and hour-long phonecalls were extremely helpful in shaping my third and final draft. Over the last few months, I’ve leaned heavily on Ali’s experience of being published, and his knowledge has helped me work out some of what I’m doing with the good people at Quercus Books.

Mon and I don’t get to see Ali and Iona very often, so it was fantastic to have a long overdue catch-up. We mostly nattered about babies, but we also discussed our current projects (his new book sounds AMAZING) and some wider publishing news. Ali recommended two things: firstly, that I try Scrivener. It’s a writing program dedicated towards managing large documents, with all kinds of bells and whistles for organising plots, characters, locations and notes. The various features sound extremely useful, and it’s available on a free 30-day trial, so I’ll definitely give it a go.

The second recommendation was for Alan Moore’s Swamp Thing. I was describing my own new work, which is set in a maze of bogs and marshes, and Ali (who reads more graphic novels than me), thought Swamp Thing might be good for inspiration and ideas; another book on my birthday wishlist, then. I enjoy graphic novels, and own several of the real classics (Maus, Watchmen, From Hell, Ghost World, etc.) but seldom know where to begin with trying something new. Good stuff.

Ghosts in kelp

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Mon pointed this excellent photo out to me – it’s Kyle McBurnie’s winning picture from the University of Miami’s Underwater Photography competition.

This seal seems to be floating in air, rather than water, and I love the way the strands of kelp drift like ghosts. This remarkable picture also strikes a chord for me as it brings a scene from Riptide to life…

The Returned

Caught up with the first episode of The Returned (Les Revanants) last night – and loved it. In exploring the impact of the dead returning to a small Alpine town, it oozes the same surreal menace as Twin Peaks or Lost – but already feels more cohesive than those stunning, albeit deeply flawed, masterpieces. The story was thrilling and compelling without being sensationalist, the human reactions were as convincing as The Killing, and the cinematography, direction and editing combined into a breathtaking aesthetic. I’m really excited about the next few episodes.

Even better, the show is gloriously soundtracked by one of my favourite bands, Mogwai. (This trailer actually features the Raveonettes, who are also great, but they’re no Mogwai.) Follow this link for an E.P. of the soundtrack; I’ll definitely be tracking down the full album for writing music.

R.I.P. Iain Banks

R.I.P. Iain Banks

Iain Banks has died at the age of 59, barely two months after announcing his terminal cancer. He’s been one of my favourite writers since I was about 15. He was a ferocious, consummate story-teller. I never met him, but somehow, the knowledge that his books will survive doesn’t shake the sadness of having lost one of the good guys:

“Fuck every cause that ends in murder and children crying.”

Short Short Story Slam: 28 June 2013

More great flash fiction events in Manchester…

Fat Roland's avatar#FLASHTAG

Story Slam socialThe Flashtag Writers’ will host a live literature battle for Didsbury Arts Festival where you, the audience, are the judge.

In the Short Short Story Slam, a panel of plucky contestants will take to the stage with their best very-short stories, battling other fiction-writing foes in a series of tense but hilarious head-to-heads. With voting cards under their seats, the audience decides who stays and who is deleted… there can only be one ultimate Short Short Story Slam gladiator of grammar.

Just to add to the excitement, the event also includes the grand results of the Didsbury Arts Festival Twitter fiction competition (launching on June 15th).

Join us for the contest of a lifetime!

Date: Friday 28 June 2013
Time: 8pm
Venue: The Albert Club. Didsbury
Admission: Free
More details: Here.

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Les Malheureux in Kendal

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I popped out last night to see Les Malheureux (a.k.a writers Sarah-Clare Conlon and David Gaffney) performing at the Lakes Alive Mintfest fundraiser in Kendal Town Hall.

It was a brilliant little show, with Sarah-Clare reading flash fiction accompanied by David’s Wurlitzer-style noodlings and extremely funny PowerPoint presentations switching slides in the background. The stories were fantastic – by turns poignant, reflective and darkly comic.

I especially loved the story about Eggborough power station, where the narrator paints the chimney stacks – and ‘Little Jan’, which is a perfect slice of poisonous office politics.

It was also great to see Sarah-Clare and David so soon after Flashtag – with the swifts soaring overhead and the sunset tinged pink over the Lakes, we had a balmy chat about day jobs, notebooks, Italy, the amazing Scottish literary scene and the quest for decent pubs in Kendal. (If you want an answer to the last point, there are three: Burgundy’s, the Brewery, and the Rifleman’s Arms.)

Before they turned up, I sat scribbling in my notebook. After a mini-brainwave about the protagonist in my new novel, I now know what she’s called and what she does for a living; and that in turn revealed another layer to the story which I’m really excited about. I also worked through some potential titles, though nothing stuck. I’m going to be flat-out on film jobs and college for the next month, but I’m starting to assemble more notes and ideas all the time.

Bog boats

This is brilliant – no fewer than eight Bronze Age boats have been discovered in a creek in Cambridgeshire. The boats have been preserved by dense layers of silt, to the point that the archaeologists have recorded games of noughts and crosses carved into the wood.

Bogs and marshes….

The full article is here.

Quercus Books

Now then, people: I’m pleased to be writing with some extremely good news. After weeks of turmoil and torment, I am utterly delighted to announce that my first novel will be published by Quercus Books in 2014. The last month has been something of a rollercoaster, to say the least, but I’m just blown away to have landed Riptide with such an amazing publisher. It’s still sinking in, but I’m starting to believe it.

My editor, Jane Wood, is really enthusiastic about the novel, and I can’t wait to work with her on the manuscript. I’m just home from meeting with Jane and Sue, my brilliant agent with the bodacious Conville & Walsh team. It was an incredibly surreal experience to talk about release dates, discuss options for the cover art and explore where I’d like to go with my next few novels. I have three solid ideas plotted out and ready for writing; I know what I want to do with the stories, but it was very odd to expose them to publishing professionals for the first time, as I hadn’t had to vocalise or pitch them before.

So what happens next? For now, it’s business as usual: I’m working on a number of films for Cumbria Wildlife Trust, and college is about to go ballistic with end of term projects and paperwork. I’ll have the summer holidays to get my teeth stuck into another draft of Riptide, then we’ll be looking at proofs in Autumn, and publication in Spring 2014. Around all that, I’m keen to get my head down and start making progress on my second novel. The bogs and marshes idea I mentioned last month is shouting louder and louder – I think I’m going to work on that one next. It’s great to have the ideas lined up – it’ll take me years to complete them all – but now I need to carve out some defined, scheduled writing time. I don’t know where that time is going to come from, but I’ll find it. The further I take my writing, the further I want it to go.

I’ve worked hard to reach these early stages, and I feel extremely humble to have had that work embraced by such amazing people. It makes me want to strive even harder with my stories. I wouldn’t have come this far without the support from Sue, from writer friends Ali Shaw, Iain Maloney and Steven John Malcolm, and most of all from my wonderful wife Monica – and my daughter Dora, in her own way – because this is all for her. I’m fortunate and grateful to have such incredible people in my life.

It’s a sunny day in the Lake District, and I’m going to have a wee celebration – time to take the family for some cider in the park…